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Mostrando entradas con la etiqueta literature. Mostrar todas las entradas
Mostrando entradas con la etiqueta literature. Mostrar todas las entradas

miércoles, noviembre 24, 2021

21 rutinas, aficiones, herramientas

 twitter: @eugenio_fouz

diet, gym

mp3 (podcasts BBC)

walk 

read, write

solitude 

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pens, notepads, mp3

D. I (dictionaries)

books, smartphone

personal computer / tablet

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-Parker jotter stainless steel-

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English language, Literature

pedagogy, blogging, arts

journalism

style

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#PDF
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EXTRAS

It's incredibly silly how a bully could intrude so deep in oneself´s intimate world


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domingo, septiembre 02, 2018

Edward Lear, Book of Nonsense

twitter: @eugenio_fouz




There was an Old Man with a beard,
Who said, 'It is just as I feared!
Two Owls and a Hen,
Four Larks and a Wren,
Have all built their nests in my beard!'

(...) 


viernes, mayo 04, 2018

Fourteen short texts to enjoy literature (by Rachel Grate)

twitter: @eugenio_fouz


Up to fourteen stories written by Atwood, Updike, Cisneros and Hemingway. 

The School by Donald Baltherme
"Told from the perspective of a schoolteacher who seems to be followed by death, this strange story escalates quickly. The deaths intensify; they move from trees, to fish, to a puppy, to human beings, all with the narrator trying to cooly pass off the idea that nothing is awry.

Barthelme never uses an unnecessary word. Instead, he utilizes avoidance techniques and ellipses to highlight that something is off. It's an absurd but perfectly crafted world — signature postmodern Barthelme — where nothing is as it seems." (...)


domingo, octubre 11, 2015

The saddest bookworm (official)


twitter: @eugenio_fouz


I have got this video from the TL on twitter MAR TE (@MMarF007 on twitter)
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See the power of literature ;-) 

lunes, junio 22, 2015

Cleland´s Fanny Hill (via eNotes)

twitter: @eugenio_fouz




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text literally taken from eNotes: 


"John Cleland Essay - Critical Essays
John Cleland 1709-1789

English novelist, dramatist, journalist, translator, and critic.

Cleland is best known as the author of Memoirs of a Woman of Pleasure, popularly known as Fanny Hill. Written in epistolary form, the novel details the life of a naive country girl who becomes a worldly-wise prostitute. Censored and suppressed since the time of its publication, Cleland's principal novel has become a minor classic of eighteenth-century prose. The Memoirs is one of a very few books from the eighteenth century that has been widely reprinted and read from the time of its first appearance. In the twentieth century, it has been seriously studied as well.

Biographical Information
Cleland was born in Surrey, England, to a prosperous middle-class family. In 1721 he enrolled in the prestigious Westminster School, where he was an outstanding student. His education ended suddenly after two years for unknown reasons. In 1728 Cleland joined the mercantile East India Company in Bombay, India. He advanced rapidly and eventually became the company's factor—a job that required management, negotiating, and diplomatic skills. Cleland was called home in 1740 to be with his ailing father. When his father died the next year, Cleland gave up his position in the East India Company and stayed in England. However, he received no inheritance on his father's death, and he fell into debt. He was prosecuted for nonpayment of bills around 1747 and jailed for over a year. While in jail Cleland wrote Memoirs of a Woman of Pleasure. He offered the manuscript to Fenton Griffiths, a printer, and to his brother Ralph Griffiths, a publisher and editor of the popular journal Monthly Review. Realizing the potential of Cleland's novel, Ralph Griffiths paid off Cleland's debts and bought the copyright to the Memoirs for twenty pounds. Griffiths also contracted with Cleland to provide an abridged edition of the Memoirs, entitled Memoirs of Fanny Hill (1750), perhaps in anticipation of the uproar that would greet the sexual content of the novel. Both books were extremely successful, and commentators guess that Griffiths made a fortune on his investment. Cleland, on the other hand, received no royalties from either work. Shortly after Memoirs of a Woman of Pleasure was published, a warrant was issued for Cleland's arrest, this time for writing a lewd book. It is unclear what legal actions, if any, were taken against Cleland. According to some sources, he was given a government grant to prevent him from writing another work like the Memoirs. Cleland did write another novel, Memoirs of a Coxcomb (1751), as well as several plays and books of linguistic theory. He also contributed political, social, and literary criticism to the Monthly Review. He died in 1789.

Major Works
In addition to being witty and erotically entertaining, Memoirs of a Woman of Pleasure provides a satiric attack on the morality of eighteenth-century society. Cleland ironically indicated that his protagonist's use of sexual commerce as a path to success closely resembled the financially motivated husband-hunting of the upper classes. Many readers found this sardonic social commentary as objectionable as the work's passages of erotic description. For these, Cleland did not rely on profanity, vernacular, or even realistic description. Instead, he used euphemism, simile, and metaphor to described male and female genitalia and a variety of sexual acts. The verbal richness of his prose has been compared to that of the metaphysical poets, and Cleland's prose style has been called one of the lushest, wittiest, and most interesting of the eighteenth century. It inspired a host of imitations. The sensual, uninhibited heroine of Cleland's novel has appealled to both male and female readers. She becomes and remains in control of her own life and sexuality; growing wealthy while unabashedly fulfilling her own desires, and the novel ends with her marriage to the man she loves.

Critical Reception
Memoirs of a Woman of Pleasure was virtually ignored by literary commentators until the twentieth century. Commonly referred to as "obscene" or "pornographic," the novel was not published legally in Great Britain or the United States until 1963. Before then it was dismissed as having no literary merit, existing solely to appeal to the "prurient interests" of readers. However, commentators have come to assess the Memoirs as one of the greatest examples of the subgenre "whore biography" that proliferated during the eighteenth century, exemplified by Daniel Defoe's Moll Flanders (1722). In his novel, Cleland neatly reversed the basic plot of Samuel Richardson's popular moralistic novel Pamela, in which a young woman repeatedly fights off the sexual advances of her employer and is rewarded by his proposal of marriage. Cleland subverts the formula that chastity will be rewarded and licentiousness punished: far from being destroyed by premarital sexual adventures: Fanny profits from them and marries after she has had a multitude of lovers and a range of sexual experiences."



sábado, septiembre 06, 2014

Nabokov´s Lolita; a synopsis via sparknotes

twitter: @eugenio_fouz



LOLITA
Vladimir Nabokov
←Plot Overview →
In the novel’s foreword, the fictional John Ray, Jr., Ph.D., explains the strange story that will follow. According to Ray, he received the manuscript, entitled Lolita, or the Confession of a White Widowed Male, from the author’s lawyer. The author himself, known by the pseudonym of Humbert Humbert (or H. H.), died in jail of coronary thrombosis while awaiting a trial. Ray asserts that while the author’s actions are despicable, his writing remains beautiful and persuasive. He also indicates that the novel will become a favorite in psychiatric circles as well as encourage parents to raise better children in a better world.


In the manuscript, Humbert relates his peaceful upbringing on the Riviera, where he encounters his first love, the twelve-year-old Annabel Leigh. Annabel and the thirteen-year-old Humbert never consummate their love, and Annabel’s death from typhus four months later haunts Humbert. Although Humbert goes on to a career as a teacher of English literature, he spends time in a mental institution and works a succession of odd jobs. Despite his marriage to an adult woman, which eventually fails, Humbert remains obsessed with sexually desirable and sexually aware young girls. These nymphets, as he calls them, remind him of Annabel, though he fails to find another like her. Eventually, Humbert comes to the United States and takes a room in the house of widow Charlotte Haze in a sleepy, suburban New England town. He becomes instantly infatuated with her twelve-year-old daughter Dolores, also known as Lolita. Humbert follows Lolita’s moves constantly, occasionally flirts with her, and confides his pedophiliac longings to a journal. Meanwhile, Charlotte Haze, whom Humbert loathes, has fallen in love with him. When Charlotte sends Lolita off to summer camp, Humbert marries Charlotte in order to stay near his true love. Humbert wants to be alone with Lolita and even toys with the idea of killing Charlotte, but he can’t go through with it. However, Charlotte finds his diary and, after learning that he hates her but loves her daughter, confronts him. Humbert denies everything, but Charlotte tells him she is leaving him and storms out of the house. At that moment, a car hits her and she dies instantly.

Humbert goes to the summer camp and picks up Lolita. Only when they arrive at a motel does he tell her that Charlotte has died. In his account of events, Humbert claims that Lolita seduces him, rather than the other way around. The two drive across the country for nearly a year, during which time Humbert becomes increasingly obsessed with Lolita and she learns to manipulate him. When she engages in tantrums or refuses his advances, Humbert threatens to put her in an orphanage. At the same time, a strange man seems to take an interest in Humbert and Lolita and appears to be following them in their travels.

Humbert eventually gets a job at Beardsley College somewhere in the Northeast, and Lolita enrolls in school. Her wish to socialize with boys her own age causes a strain in their relationship, and Humbert becomes more restrictive in his rules. Nonetheless, he allows her to appear in a school play. Lolita begins to behave secretively around Humbert, and he accuses her of being unfaithful and takes her away on another road trip. On the road, Humbert suspects that they are being followed. Lolita doesn’t notice anything, and Humbert accuses her of conspiring with their stalker.

Lolita becomes ill, and Humbert must take her to the hospital. However, when Humbert returns to get her, the nurses tell him that her uncle has already picked her up. Humbert flies into a rage, but then he calms himself and leaves the hospital, heartbroken and angry.


For the next two years, Humbert searches for Lolita, unearthing clues about her kidnapper in order to exact his revenge. He halfheartedly takes up with a woman named Rita, but then he receives a note from Lolita, now married and pregnant, asking for money. Assuming that Lolita has married the man who had followed them on their travels, Humbert becomes determined to kill him. He finds Lolita, poor and pregnant at seventeen. Humbert realizes that Lolita’s husband is not the man who kidnapped her from the hospital. When pressed, Lolita admits that Clare Quilty, a playwright whose presence has been felt from the beginning of the book, had taken her from the hospital. Lolita loved Quilty, but he kicked her out when she refused to participate in a child pornography orgy. Still devoted to Lolita, Humbert begs her to return to him. Lolita gently refuses. Humbert gives her 4,000 dollars and then departs. He tracks down Quilty at his house and shoots him multiple times, killing him. Humbert is arrested and put in jail, where he continues to write his memoir, stipulating that it can only be published upon Lolita’s death. After Lolita dies in childbirth, Humbert dies of heart failure, and the manuscript is sent to John Ray, Jr., Ph.D.

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Extra links: 

1. Practice of English language

2. Business English 

3. Profesorado. LOE